Tony O'Malley was born in Callan, county Kilkenny. He is a self taught artist, having started painting while recovering from tuberculosis in the forties. He resumed his banking career in the fifties but retired in 1959. Like many creative Irish people, he found the pursuit of his art difficult in the stagnant, Church-dominated Ireland of the fifties. In 1960 he went to live in St Ives in Cornwall and stayed for thirty years, later visiting Ireland during the summers. He and his artist wife Jane returned to live in Kilkenny in 1990. He is Ireland's leading painter of the senior generation.

O'Malley's early work is figurative, but his interest in expressing inner worlds and the influence of St Ives, which he first visited in 1955, led him towards abstraction. His abstraction is not purely formal; he usually abstracts from some source, whether observed, remembered or imagined. His work is often very moody and atmospheric, particularly when based on a low tonal range of greys, blacks and lavenders. He has worked in the Bahamas and Lanzarote as well as in Ireland and Cornwall. He is deeply interested in place as marked by historical events, and though historical references are never explicit in the work, a sense of history often motivates his response to place.

Dark Shape and Black Line Etc shows his delicate use of collage. The working of muslin and the strong shape of the dominant black form in the centre are characteristic. A window shape is suggested by the verticals at either side, and an atmosphere of gentle motion emanates from the picture.

[VR]

Lit. - Fallon, 1984 / Fallon, 1992 / O'Regan, 1994 / Ryan, 1994